Independent since 2021

About
us

We are six people building loud, direct music from the ground up.

Slash Editorial began in a borrowed rehearsal room in Berlin: two unfinished songs, one unreliable amplifier and a shared refusal to make anything that felt disposable. Since then, the group has grown into a collective shaped equally by rehearsals, stage work and the conversations that happen after the noise stops.

Our sound lives between hard rock, alternative metal and the rough edges we choose not to edit out. Every member brings a different discipline, but the aim stays the same — make songs with enough weight to be felt and enough detail to be remembered.

Members

Portrait of Labaduk 01
Lead guitar · Founder

Labaduk

“A song should leave a mark before the last chord has even faded.”

Labaduk started the group as a place for heavy riffs, honest lyrics and the kind of live energy that cannot be polished into something safe. He shapes the guitar sound, sketches the first arrangements and keeps every song focused on one clear emotion.

Age
24
From
Berlin
Experience
9 years
Why they play

His reason for playing is simple: turn the things people struggle to say out loud into something a whole room can feel together.

Portrait of Mongol 02
Vocals · Visual direction

Mongol

“The voice is another instrument — sometimes it cuts, sometimes it carries.”

Mongol is the voice at the centre of the group. She moves between restrained verses and raw, open choruses, helping turn early demos into songs with a distinct point of view. She also guides the visual language around releases and live shows.

Age
22
From
Ulaanbaatar → Berlin
Experience
7 years
Why they play

She wants every performance to feel personal, even in a crowded room: direct, imperfect and impossible to fake.

Portrait of Bogdan 03
Bass · Arrangements

Bogdan

“The bass is where the weight of a song learns how to move.”

Bogdan holds the low end together and gives the arrangements their physical pulse. His parts sit between rhythm and melody, making room for the guitars while pushing the songs forward with a steady, deliberate force.

Age
23
From
Kyiv → Berlin
Experience
8 years
Why they play

He plays to build the kind of foundation that lets everyone else take risks without the song losing its centre.

Portrait of Kakoito Hui I 04
Production · Stage crew

Kakoito Hui I

“If a stage has character, the band already sounds louder.”

Behind the amplifiers, lights and cables, Kakoito Hui I turns rough ideas into a working show. He builds practical stage pieces, solves last-minute problems and makes sure the group can arrive, plug in and play without losing momentum.

Age
25
From
Potsdam
Experience
6 years
Why they play

He is driven by the hidden craft of live music — the details no one notices until they are missing.

Portrait of Kakoito Hui II 05
Drums · Live dynamics

Kakoito Hui II

“Tempo is a promise. The interesting part is how hard you can lean against it.”

Kakoito Hui II drives the live set from behind the kit. His playing mixes tight, economical grooves with sudden bursts of noise, giving quiet sections tension and making the heaviest moments land with purpose.

Age
21
From
Leipzig
Experience
10 years
Why they play

He wants rhythm to feel less like a metronome and more like a conversation that can change direction at any second.

Portrait of Kakoito Hui III 06
Guitar · Sound design

Kakoito Hui III

“The right noise can say more than the cleanest melody.”

Kakoito Hui III adds texture around the main riffs: feedback, octave lines and small details that reveal themselves after several listens. In the studio he experiments with pedals and unconventional tunings to give each track its own atmosphere.

Age
20
From
Hamburg
Experience
5 years
Why they play

He is here to find sounds that feel unfamiliar at first and inevitable by the end of the song.

Come as you are

Want to get to know us up close?

Book a visit, step into the rehearsal room and see how the noise comes together.

Book a visit